Keynote
A powerful, innovative exploration of the language of war by a new poet of passion and conscience
Book Title
Look
Subtitle
Poems
Cover Image
- Finalist for the 2016 National Book Award for Poetry
One of The New York Times Book Review’s 100 Notable Books of 2016
An Atlantic Best American Poetry Collection of the 21st Century
Poem Excerpt
Daily I sit
with the language
they’ve made
of our language
to NEUTRALIZE
the CAPABILITY of LOW DOLLAR VALUE ITEMs
like you.
You are what is referred to as
a “CASUALTY.”
-from “Personal Effects”
with the language
they’ve made
of our language
to NEUTRALIZE
the CAPABILITY of LOW DOLLAR VALUE ITEMs
like you.
You are what is referred to as
a “CASUALTY.”
-from “Personal Effects”
Body
Solmaz Sharif’s astonishing first book, Look, asks us to see the ongoing costs of war as the unbearable losses of human lives and also the insidious abuses against our everyday speech. In this virtuosic array of poems, lists, shards, and sequences, Sharif assembles her family’s and her own fragmented narratives in the aftermath of warfare. Those repercussions echo into the present day, in the grief for those killed, in America’s invasions of Afghanistan and Iraq, and in the discriminations endured at the checkpoints of daily encounter.
At the same time, these poems point to the ways violence is conducted against our language. Throughout this collection are words and phrases lifted from the Department of Defense Dictionary of Military and Associated Terms; in their seamless inclusion, Sharif exposes the devastating euphemisms deployed to sterilize the language, control its effects, and sway our collective resolve. But Sharif refuses to accept this terminology as given, and instead turns it back on its perpetrators. “Let it matter what we call a thing,” she writes. “Let me look at you.”
At the same time, these poems point to the ways violence is conducted against our language. Throughout this collection are words and phrases lifted from the Department of Defense Dictionary of Military and Associated Terms; in their seamless inclusion, Sharif exposes the devastating euphemisms deployed to sterilize the language, control its effects, and sway our collective resolve. But Sharif refuses to accept this terminology as given, and instead turns it back on its perpetrators. “Let it matter what we call a thing,” she writes. “Let me look at you.”
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About the Author
Credit: Cassidy Araiza
Praise
- “[An] excellent debut collection. . . . An artful lexicographer, Sharif shows us that the diameter of a word is often as devastating as the diameter of a bomb.”—The New York Times Book Review
- “Remarkable. . . . By turns fierce and tender, the poems are a searing response to American intervention.”—The New Yorker
- “Remarkable. . . . Every piece underscores the importance of how we view and name things.”—The Washington Post
- “[Sharif] forces you to suspend yourself and consider your relationship to language really deeply.”—NPR, All Things Considered
