Keynote
The searing collection, a cult favorite for decades, by the late Thomas James
Book Title
Letters to a Stranger
Subtitle
Poems
Cover Image
- “Self-dramatizing, brilliantly imaginative, wildly sad, they long, with romantic futility, to be heard, reveling and wallowing in the wide spaces of their privacy.”—Publisher’s Weekly, starred review
Body
I will last forever. I am not impatient--
My skin will wait to greet its old complexions.
I'll lie here till the world swims back again.
—from "Mummy of a Lady Named Jemutesonekh" Thomas James's Letters to a Stranger—originally published in 1973, shortly before James's suicide—has become one of the underground classics of contemporary poetry. In this new edition, with an introduction by Lucie Brock-Broido and four of James's poems never before published in book form, this fraught and moving masterpiece is at last available.
Letters to a Stranger is a new book in the Graywolf Poetry Re/View Series, edited by Mark Doty, dedicated to bringing essential books of contemporary American poetry back into print.
My skin will wait to greet its old complexions.
I'll lie here till the world swims back again.
—from "Mummy of a Lady Named Jemutesonekh" Thomas James's Letters to a Stranger—originally published in 1973, shortly before James's suicide—has become one of the underground classics of contemporary poetry. In this new edition, with an introduction by Lucie Brock-Broido and four of James's poems never before published in book form, this fraught and moving masterpiece is at last available.
Letters to a Stranger is a new book in the Graywolf Poetry Re/View Series, edited by Mark Doty, dedicated to bringing essential books of contemporary American poetry back into print.
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About the Author
Praise
- “Letters to a Stranger is a book of dark intensities and deeply felt connections, both haunted and haunting, at once brooding, sensual and lucid . . . The voice in these poems – painfully lonely and filled with longing, estranged and religious – has stayed with me for more than twenty years. It deserves to be remembered.”—The Washington Post
- “There is a truth to this reading that draws on the similarity between these poems and the work of earlier poets like [Sylvia] Plath and [Robert] Lowell, in particular the way that moments of emotional laceration are embedded in a fabric of controlled, formal diction and imaginary narrative. James is more than a late ‘confessional’ poet, though…he seems to be moving toward a softer, more milky tone, more impressionist than expressionist.”—Harp & Altar
- “Sometimes contemporary poetry feels so afraid of its own love, and the risk of overexposed emotion is one aspect of what is so refreshing in James.”—Tin House
