Keynote
An extraordinary new collection by Diane Seuss, author of frank: sonnets, winner of the Pulitzer Prize
Book Title
Modern Poetry
Subtitle
Poems
Cover Image
- Finalist for the 2024 National Book Award for Poetry
Winner of the 2024 Heartland Booksellers Award for Poetry
A New York Times Book Review Notable Book of 2024
A New Yorker Essential Read of 2024
A Library Journal, Literary Hub, and Electric Literature Best Poetry Collection of 2024
Poem Excerpt
If you are like me, to learn of the gods you must
beg, borrow, or steal. Eavesdrop, as gossip
is sagacity, a word I learned from Emily
Dickinson. Don’t underestimate direct
experience. Ants know earth. Dragonflies
know air. A cobbled mind is not fatal.
You have to be willing to self-educate
at a moment’s notice, and to be caught
in your ignorance by people who will
use it against you. You will mispronounce
words in front of a crowd. It cannot be
avoided. But your poems, with all of their
deficiencies, products of lifelong observation
and asymmetric knowledge, will be your own.
—from “My Education”
Body
Diane Seuss’s signature voice—audacious in its honesty, virtuosic in its artistry, outsider in its attitude—has become one of the most original in contemporary poetry. Her latest collection takes its title, Modern Poetry, from the first textbook Seuss encountered as a child and the first poetry course she took in college, as an enrapt but ill-equipped student, one who felt poetry was beyond her reach. Many of the poems make use of the forms and terms of musical and poetic craft—ballad, fugue, aria, refrain, coda—and contend with the works of writers overrepresented in textbooks and anthologies and those too often underrepresented. Seuss provides a moving account of her picaresque years and their uncertainties, and in the process, she enters the realm between Modernism and Romanticism, between romance and objectivity, with Keats as ghost, lover, and interlocutor.
In poems of rangy curiosity, sharp humor, and illuminating self-scrutiny, Modern Poetry investigates our time’s deep isolation and divisiveness and asks: What can poetry be now? Do poems still have the capacity to mean? “It seems wrong / to curl now within the confines / of a poem,” Seuss writes. “You can’t hide / from what you made / inside what you made.” What she finds there, finally, is a surprising but unmistakable love.
In poems of rangy curiosity, sharp humor, and illuminating self-scrutiny, Modern Poetry investigates our time’s deep isolation and divisiveness and asks: What can poetry be now? Do poems still have the capacity to mean? “It seems wrong / to curl now within the confines / of a poem,” Seuss writes. “You can’t hide / from what you made / inside what you made.” What she finds there, finally, is a surprising but unmistakable love.
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About the Author
Credit: Gabrielle Montesanti
Praise
- “The grandiose title is tongue in cheek — mostly. These witty, sexy, sometimes heartbreakingly personal lyrics demonstrate how ordinary life can be the stuff of poetry, and also, thrillingly, how poetry can be a vital part of modern life.”—The New York Times Book Review
- "These irreverent, pulsing, and defiant poems are full of dangerous good sense."—Publishers Weekly (Starred Review)
- “I fear that, like Seuss’s first poetry teachers, I may have made Modern Poetry sound too austere. The fight with form is also on behalf of a wildness and richness of life as well as motif. Constraint (poetic or economic) is countered with the pure hedonism of neglected communities and micro-scenes.”—Brian Dillon, 4Columns
- “The way in which Seuss interrogates longing, nostalgia, memory, loss, relationships makes plain she is someone who has been around the block enough times that we should pay attention.”—Diana Arterian, Literary Hub
