Questions 27 & 28
“Most of us understand that history is often just the victor’s account of how things happened. But the novel’s achievement is that we are forced to experience this insight almost bodily. We feel the weight of the past, all these accumulated voices and perspectives, within and between Yamashita’s novels, as well as the process through which disparate stories, anecdotes, or experiences might coalesce as history.”—Hua Hsu, The New Yorker
Questions 27 & 28 reaches backward and forward from the time of the questionnaire, chronicling the individuals who arrived in the US from Japan at the turn of the century, their children who came of age during war and incarceration, and their descendants who lived in its aftermath. Yamashita mixes fact with fiction and layers genres from James Bond movies to haiku to oral history, transfiguring an enormity of archival research into a chorus of stories. With her signature wit and aplomb, she gives voice to laborers, artists, scholars, informants, and activists who, over three generations, defined an immigrant community.
Upcoming Events
Karen Tei Yamashita reading and in conversation with Naomi Hirahara about QUESTIONS 27 & 28 at J-Sei
Free and open to the public. Click here for details and to RSVP.
Praise
“[An] ambitious, wide-ranging pastiche of fiction and documentation, a hybrid novel that also serves as an idiosyncratic history of the Japanese experience in America before, during and after the war.”—Alida Becker, The New York Times Book Review
“Karen Tei Yamashita deserves to be a literary household name.”—Adam Morgan, Esquire’s “Most Anticipated Books of 2026”
“A provocative symphony.”—Bethanne Patrick, Los Angeles Times
“With Questions 27 & 28, Yamashita is not just seeking to interpret the loyalty debate, and perhaps the experience of internment, by writing fiction about it. She is also challenging her readers to do the interpreting themselves—to join her in deciphering history. . . . In order to read Questions 27 & 28, you have to commit, if only for the length of the novel, to the messy project of American history.”—Lily Meyer, The Atlantic