Keynote
From a “brilliant, one-of-a-kind maestro” (Booklist), a vibrant tapestry of memoir, research, and criticism
Book Title
An Image of My Name Enters America
Subtitle
Essays
Cover Image
- “This is the kind of book you want to read aloud to people you love, to assign, to give as a present—but don’t loan this one; you might not get it back.”—Alexander Chee
Body
Again, today, if I must choose between love and memory, I choose memory.
What would you risk to know yourself? Which stories are you willing to follow to the bitter end, revise, or, possibly, begin all over? In this collection of five interrelated essays, Lucy Ives explores identity, national fantasy, and history. She examines events and records from her own life—a childhood obsession with My Little Pony, papers and notebooks from college, an unwitting inculcation into the myth of romantic love, and the birth of her son—to excavate larger aspects of the past that have been suppressed or ignored. With bracing insight and extraordinary range, she weaves new stories about herself, her family, our country, and our culture. She connects postmodern irony to eighteenth-century cults, Cold War musicals to a great uncle’s suicide to the settlement of the American West, museum period rooms to the origins of her last name to the Assyrian genocide, and the sci-fi novel The Three-Body Problem to the development of modern obstetrics. Here Ives retrieves shadowy sites of pain and fear and, with her boundless imagination, attentiveness, and wit, transforms them into narratives of repair and possibility.
What would you risk to know yourself? Which stories are you willing to follow to the bitter end, revise, or, possibly, begin all over? In this collection of five interrelated essays, Lucy Ives explores identity, national fantasy, and history. She examines events and records from her own life—a childhood obsession with My Little Pony, papers and notebooks from college, an unwitting inculcation into the myth of romantic love, and the birth of her son—to excavate larger aspects of the past that have been suppressed or ignored. With bracing insight and extraordinary range, she weaves new stories about herself, her family, our country, and our culture. She connects postmodern irony to eighteenth-century cults, Cold War musicals to a great uncle’s suicide to the settlement of the American West, museum period rooms to the origins of her last name to the Assyrian genocide, and the sci-fi novel The Three-Body Problem to the development of modern obstetrics. Here Ives retrieves shadowy sites of pain and fear and, with her boundless imagination, attentiveness, and wit, transforms them into narratives of repair and possibility.
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About the Author
Credit: Will Matsuda
Praise
- “From the expansive mind of novelist, poet, and critic Lucy Ives, stylish, sweeping essays that consider the lure of period rooms, Alanis Morissette, Heidegger, and more.”—Vanity Fair
“I tore through the poet, art critic, and novelist Lucy Ives’s essay collection with glee. . . . By revealing the ideology behind an object (whether it’s a film or antique furniture), she patiently dismantles our fantasies about America and ourselves. It’s painful to let go of these delusions; it’s also the only way to go on. . . . In the aftermath, at least we can cling to her voice—lively, cathartic, and undeniably charming.”—Celine Nguyen, The Believer
- “Virtuosic . . . a high-wire act of the mind.”—Liz Brown, 4Columns
- “Lucy Ives is a genius . . . one of the most thrilling writers that the United States has produced so far this century. . . . On the page, Ives remains a virtuoso, inventive and agile. . . . An Image of my Name Enters America is a book driven by curiosity. It’s a celebration of questions rather than the didactic results of scattered research projects. It’s a vulnerable book. . . . It is also deeply and profoundly humane.”—James Webster, Los Angeles Review of Books
