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Book Title

The High Heaven

Subtitle
A Novel
Author 1
Joshua Wheeler
Body
In 1967, on the night of the first Apollo mission, a child named Izzy is orphaned when the doomsday cult she was born into clashes with the sheriff in the high desert of New Mexico. She’s taken in by a struggling rancher who is trying to keep his mind from falling apart as NASA rocket tests encroach on his outer range. Inspired by the true story of a UFO cult in a village near White Sands, this novel traces Izzy Gently’s whole life: from tragedy on the ranch, through addiction and a rich cast of eccentrics in Texas, to New Orleans, where Izzy is haunted by her past even as she uses lessons from childhood to counsel people who have lost the ability to see the moon.
 
In The High Heaven, Joshua Wheeler explores American piety as it mutates over the course of the Space Age, as technology changes notions of both humanity and the heavens. Shot through with the speculative while paying homage to three iconic genres—neo-Western, picaresque, and Southern gothic—Izzy’s life story becomes a mirror for the warping of manifest destiny and, ultimately, a testament to the human will to seek meaning from the universe.
 
Suffused with the absurdist history of American space travel and the wide-open landscapes of the Southwest, The High Heaven chronicles a larger-than-life adventure of one extraordinary woman who, despite tragedy, never loses sight of redemption.

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List Price
$28.00
ISBN
ISBN
978-1-64445-357-5
Format
Format
Hardcover
Publication Date
Publication Date
Subject
Subject
Pages
Pages
352
Trim Size
Trim Size
6 x 9
Keynote
A multi-genre debut novel tracing one woman’s quest for faith across the American West during the Space Age

About the Author

Joshua Wheeler is the author of the essay collection Acid West, which was named a best book of 2018 by Newsweek, The Paris Review, and O, The Oprah Magazine. He’s written for The New York Times, Alta, and Harper’s Magazine, and he teaches at Louisiana State University.
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Praise

  • The High Heaven is Dickens dropping acid in the desert of 1960s New Mexico, having visions of outer space and America that may be of the past, present, or future, but that, under the spell of Joshua Wheeler’s poetic sentences, fuse into an act of supreme imagination.”—Fernando A. Flores
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